# Miley Cyrus Is Coming, And So Are We

“I'm nasty, I'm evil / Must be something in the water or that I'm my mother's daughter.” These lyrics pulsate throughout the infectious chorus of “Mother’s Daughter,” a single off of Miley Cyrus’s new six-song EP, appropriately-titled, “She Is Coming.” Sexuality and liberation ooze off every corner. She is a nasty woman—hear her roar.

The first EP of a trilogy scheduled for release this summer, “She Is Coming” marks a sonic shift in Miley’s career and carries a resounding message that she is _done_ being ridiculed. She’s not just Miley being Miley. “She Is Coming” is raunchy and sexy as it is vulnerable. Tracks like “Mother’s Daughter” and “Unholy” are a rallying cry for sexuality and femininity. She challenges the [Madonna-Whore complex](https://tvtropes.org/pmwiki/pmwiki.php/Main/MadonnaWhoreComplex) still rearing its ugly, patriarchal head and makes it clear, as ever, that you can’t put Miley in a box. With six songs, “She Is Coming” is just a taste of what to can expect this summer from the former Disney Channel star-turned pop sensation.

In the last few years, Miley has made clear the role she plays above all else: [advocate](http://www.happyhippies.org/). The timing of _“_ She Is Coming” coincides with the [early abortion bans](https://www.npr.org/sections/health-shots/2019/06/05/729753903/early-abortion-bans-which-states-have-passed-them) spreading like wildfire across the country. Miley is openly pro-abortion rights, and her album screams that female sexuality is rooted in choice and freedom, not oppression and abuse. With her songs, the pop star sets a precedent for females around the globe to use their voice for the voiceless. If Miley is coming, so are we.